Marina Abramovic’s opera shows on ‘world’s largest digital canvas’

Marina Abramovic’s opera shows on ‘world’s largest digital canvas’

Marina Abramovic’s opera in London

Curator Marco Brambilla says public art programme on vast screens off Tottenham Court Road will rival Tate’s Turbine Hall commissions in impact

Written content by Gareth Harris via The Art Newspaper

The performance artist Marina Abramovic will present a new film version of her celebrated opera piece The Seven Deaths of Maria Callas (2020) on a series of giant screens late next year in central London. The work forms part of a public art programme organised by the Milan-born video installation artist and film director Marco Brambilla for the Now building, a new space located at the entrance to Tottenham Court Road Station on the corner of Oxford Street.

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The new zone, which will also incorporate bars, restaurants and offices, has been developed by Outernet, a company described online as “an immersive media and entertainment business boasting the world’s largest high-resolution wrap-around screens”. Outernet London’s “floor-to-ceiling 23,000 sq.ft, 360 degree, 8K screens, make it the world’s largest digital exhibition venue”, the company says.

Abramovic says in a statement: “The Outernet Arts programme and curator Marco Brambilla are giving me a great opportunity to use the largest screens in the world to exhibit. I am very excited about this collaboration and the chance to present to the wider public my work The Seven Deaths of Maria Callas in such a unique way.” Her piece coincides with the launch of her exhibition due to open at the Royal Academy of Arts next autumn (25 September-12 December 2021).

In an interview with the Guardian, Brambilla likened the initiative to the large-scale annual Hyundai commission at Tate Modern, which was recently awarded to Kara Walker (Fons Americanus). “At this scale I don’t think there is anything like this in the world which is so exciting,” he said. “Once it starts, hopefully it will become like the Turbine Hall. Think of those epic installations which we all remember like Olafur Eliasson’s Weather Project (2003). The ambition of it is to create a series of installations similar to that.” Read more from The Art Newspaper.

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