Grateful Dead’s Gear Is the Story of Rock ‘n’ Roll

Grateful Dead’s Gear Is the Story of Rock ‘n’ Roll

The Story of the Grateful Dead’s Gear Is the Story of Rock ‘n’ Roll

A unique Sotheby’s auction includes everything from speakers used in the Dead’s famous ‘74 Wall of Sound……

The following written content by Jesse Jarnow

Jerry Garcia, News Without Politics, NWP, subscribe to News Without Politics,Grateful Dead’s Gear Is the Story of Rock ‘n’ Roll, Grateful Dead
Photo credit via GQ

The Grateful Dead are having a warehouse sale and nearly everything must go. Available for auction at Sotheby’s on October 7-14 are three decades of sound gear, merchandise, and ephemera that might also double as a starter kit for a Grateful Dead museum, should a heady multi-millionaire decide to grab it all. Taken as a whole, the collection neatly illustrates the California band’s enduring impact on American culture, ready to seed intersecting museum wings dedicated to fashion, high-fidelity audio, high-end instruments, industrial design, and cutting-edge drug technology.

Jerry Garcia, News Without Politics, NWP, subscribe to News Without Politics,Grateful Dead’s Gear Is the Story of Rock ‘n’ Roll, Grateful Dead

“We’re looking at the whole story of the Grateful Dead from the late ‘60s through 1995,” says Richard Austin, Sotheby’s Global Head of Books and Manuscripts, who’s been assembling the collection for the past few years and gave me a preview at the auction house’s offices. It’s not the first Dead auction. But, with decommissioned items from the Dead’s warehouse in northern California, a slew of Bob Weir’s guitars, and collections belonging to sound engineer Dan Healy and late trusted crew chief Laurence “Ram Rod” Shurtliff, it’s almost certainly the most comprehensive.

ROCKinsights

Included are the pants from Jerry Garcia’s Nudie suit, Pigpen’s Fillmore West football jersey, Ram Rod’s neon-painted coveralls from the Merry Prankster days; though announced as part of the sale, the slightly-less-revered white disco outfits worn by Phil Lesh and Brent Mydland on the cover of 1980’s Go To Heaven were pulled just before the auction went live. Vintage clothing collectors might drool, too, over Dan Healy’s t-shirts, roughly half of a stash unearthed several years ago, including a rare psychedelic 1968 effort by Hells Angel and poster artist Allan “Gut” Turk, and shirts documenting infamous Dead shows from the Watkins Glen Summer Jam to Cornell ’77. (Some of Healy’s shirts will be available via a separate Buy Now sale.)

Since the Grateful Dead name was retired in 1995 following Jerry Garcia’s death, collectors’ markets have opened for a wide range of Grateful Dead artifacts, from fan-made bootleg t-shirts to the band’s instruments. In 2017, one of Jerry Garcia’s custom guitars sold at a benefit auction for $1.9 million dollars, more than double what it went for in a contentious 2002 auction. While Deadheads are infamous for collecting tapes of the band’s performances going back to the ‘60s, they are also the keepers of a half-century of folklore and data, with stories to attach to nearly any physical artifact the band produced or touched. Read more from GQ.

Subscribe here
Subscribe here, follow us, follow News Without Politics, click here, subscribe to News Without Politics